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HEATSTROKE (2013), a predictable thriller that had a limited one-week theatrical release before being quickly relegated to disc and cable TV, only finds some value in the South African landscape and Peter Stormare’s acting. A small Louisiana farming town becomes the setting for a confusing story involving a new pastor (James Tupper) and his family, who evidently become targets from the outset. When Fessenden produces films independently (like WENDIGO and THE LAST WINTER), they can achieve remarkable psychological horror, whereas the constraints of television force him to incorporate shocking events every fifteen minutes.
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I also have never seen Jeffrey Dean Morgan more evil than he is here (pay particular attention when the preacher/sheriff Douglas Henshall must pick two people to be killed and what Dean does when the choices aren’t up to his standards). Director/screenwriter Gavin Michael Booth, who like most modern directors, made their bones by directing short films, but he did write the screenplay for DEAD RUSH ), does a great job of holding your interest and I hope he gets the money again to make another full-length horror feature. This leads to a lot of fights and chases (all done particularly well (without resorting to use that quick editing that is so popular today)), as Uncle John, Cayden and Angeline must find a way to stop Connor from killing more innocent people. Derek sleeps for a couple of days as soon as they enter their hotel room and when he awakens, he is starving, so they go to an Italian restaurant, where Derek takes one bite of his food and then proceeds to puke more than you would see in a Monty Python film.
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The whole movie is summed-up in the final 15 minutes (where Eric’s true love is shot in the head by Loggia (yet no windows break), even though Loggia is on the outside and Eric is inside the mall) as he is proposing marriage and Tim uses his new son as a decoy (he throws him in the air and Loggia and his men shoot the kid until he bloodily explodes). This is standard DTV horror made for the TWILIGHT (2008) crowd, but with R-Rated special effects. This was the longest 82 minutes of my life and I can’t believe it came from the same man who gave us MS. 45 (1981), KING OF NEW YORK (1990) and BAD LIEUTENANT (1992). I can forgive Lundgren for one bad film since most of his DTV efforts are pretty entertaining; CREATURE (2010) has a good cast, but all it really is is a guy in a rubber monster suit killing six twenty-somethings out , two brother and sisters and an interracial couple, for a good time in New Orleans. He quickly determines that the internal human fires are caused by the poison of the rare fire beetle put in the drinking water and when the sun hits them (they catch fire from the inside-out), but who is doing it? When Louise finds one of her cats dead, Victor could swear he saw Spencer walking in that location the same night and believes him to be the serial killer, but anyone with half a brain can spot the killer within the first ten minutes of the film.
Unfortunately, the film is a standard, « hunt and kill » jungle horror film, as the title characters , actually apes, not monkeys, hunt and bloodily kill six American grad students and their professor (F. Murray Abraham, in a new career low) in the jungles of Africa (actually filmed in Thailand). The film takes forever to get moving (nearly all the characters are unlikable), the gore doesn’t flow until the final 30 minutes (where we witness the bear hit a boob-jobbed princess so hard her torso hits a tree and her silicon implants fall out!) and the only « good » girl turns out to be the villain. After 90 minutes of being chased around the dark catacombs (everything is very hard to see) — it is revealed that it was all a prank initiated by her sister.
The gory excitement begins when the killer’s payer , Jake Busey, arrives at the diner with a suitcase full of cash and mistakenly identifies Madsen as the assassin. Proceed with caution while watching; despite its cheesiness (philosophical overtones), and slightly lengthy runtime of 124 minutes, I find it hard to look away from BUNRAKU (2010)—whenever it appears on my pay cable channels, I have to watch it to the end. While it contains more than just a couple of genes from RACE WITH THE DEVIL (1975) (UNTHINKABLE (2010) still offers enjoyable and gruesome entertainment), making its title fitting for an excellent thriller. Instead of depending on blood and gore (this film emphasizes atmosphere), with the first dialogue occurring after 17 minutes, and a pervasive sense of dread that feels almost tangible. It’s unfortunate (as this story), while borrowing concepts from various genres (notably the LONE WOLF AND CUB film series, with the initial two films condensed into the impressive SHOGUN ASSASSIN), still manages to be engaging and incredibly violent, though it may rely a bit too much on CGI enhancement.